These include Bagh-o Bahar ( The Garden and Spring) by Mir Amman, Mazhab-i-Ishq ( The Religion of Love) by Nihalchand Lahori, Araish-i-Mahfil ( The Adornment of the Assembly) by Hyderbakhsh Hyderi, and Gulzar-i-Chin ( The Flower Bed of Chin) by Khalil Ali Khan Ashq. Most of the narrative dastans were recorded in the early nineteenth century, representing the inclusion of 'wandering' motifs borrowed from the folklore of the Middle East, central Asia and northern India. The oldest known Urdu dastans are Dastan-i-Amir Hamza, recorded in the early seventeenth century, and the no longer extant Bustan-i Khayal ( The Garden of Imagination or The Garden of Khayal) by Mir Taqi Khayal (d. Dastan was particularly popular in Urdu literature, typologically close to other narrative genres in Eastern literatures, such as Persian masnawi, Punjabi qissa, Sindhi waqayati bait, etc., and also reminiscent of the European novel. Dastan plots are based both on folklore and classical literary subjects. It was assimilated by individual authors. The genre originated in the Middle East and was disseminated by folk storytellers. These long stories have complicated plots that deal with magical and otherwise fantastic creatures and events. The prose component of Urdu literature was mainly restricted to the ancient form of epic stories called dāstān ( داستان). Urdu literature was generally composed more of poetry than of prose. some of the works of Allama Hakeem Sayyid Shamsullah Qadri are Salateen e Muabber 1929, Urdu-i-qadim 1930, Tareekh E Maleebaar, Mowarrikheen E Hind, Tahfat al Mujahidin 1931, Imadiya, Nizam Ut Tawareekh, Tareekh Zuban Urdu-Urdu-E-Qadeem, Tareekh Zuban Urdu Al Musamma Ba Urdu-E-Qadeem, Tareekh Zuban Urdu Yaani Urdu-E-Qadeem, Tarikh Vol III, Asaarul Karaam, Tarikh Shijrah Asifiya, Ahleyaar, Pracina malabar Dāstāngoi (epics) داستان گوئی
Sayyid Shamsullah Qadri is considered as the first researcher of Deccaniyat. It is said that the Urdu language acquired the status of a literary language due to his contributions. His poetry has been compiled into Dewan or volume entitled "Kulliyat-e-Quli Qutub Shah." Muhammed Quli Qutub Shah had the distinction of being the first Saheb-e-dewan Urdu poet and is credited with introducing a new sensibility into prevailing genres of Persian/Urdu poetry. He also wrote poetry in Telugu language, Persian language and Urdu language. Sultan Muhammed Quli Qutb Shah was a scholar in Persian and Arabic. While the couplets that come down from him are representative of a latter- Prakrit Hindi bereft of Arabo-Persian vocabulary, his influence on court viziers and writers must have been transcendental, for a century after his death Quli Qutub Shah was speaking a language that might be considered to be Urdu.
He is credited with the systematization of northern Indian classical music, including Hindustani music, and he wrote works both in Persian and Hindavi. The Urdu language, with a vocabulary almost evenly split between Sanskrit-derived Prakrit and Arabo- Persian words, was a reflection of this cultural amalgamation.Īmir Khusro exercised great influence on the initial growth of not only Urdu literature, but the language itself (which only truly took shape as distinguished from both Persian and proto- Hindi around the 14th century). The continuing traditions of Islam and patronisations of foreign culture centuries earlier by Muslim rulers, usually of Turkic or Afghan descent, marked their influence on the Urdu language given that both cultural heritages were strongly present throughout Urdu territory. Urdu literature originated some time around the 14th century in present-day North India among the sophisticated gentry of the courts.
#HISTORY OF ENGLISH LITERATURE IN URDU PDF SERIES#
Literary works written in Urdu language Part of a series on